Art Institute of Chicago, USA

Art Institute of Chicago, Chicago, United States of America
시카고 미술관

시카고 미술관은 메트로폴리탄 미술관(Metropolitan Museum of Art), 보스턴 미술관(Boston Museum of Fine Arts)과 더불어 미국의 3대 미술관 중 하나로 꼽히는 미술관입니다.

Claude Monet (1840–1926), The Artist's House at Argenteuil, 1873, oil on canvas, h 60.2 x w 73.3 cm, Art Institute of Chicago, Chicago, Illinois, U.S.

Claude Monet (1840–1926), The Artist's House at Argenteuil, 1873, oil on canvas, h 60.2 x w 73.3 cm, Art Institute of Chicago, Chicago, Illinois, U.S.

 

 

귀스타브 카유보트(Gustave Caillebotte), 파리의 거리, 비오는 날(Rue de Paris, temps de pluie), 1877, 캔버스에 유채(oil on canvas), 212.2x276.2cm, 시카고(Chicago), 시카고 아트 인스티튜트(Art Institute of Chicago)

피에르 오귀스트 르누아르(Pierre-Auguste Renoir), 두 자매(Two Sisters (On the Terrace)), 1881, 캔버스에 유채(oil on canvas), 100x80cm, 시카고(Chicago), 시카고 아트 인스티튜트(Art Institute of Chicago)

Claude Monet (1840–1926), Claude Monet: The Cliff Walk at Pourville, 1882, oil on canvas, 66.5 x 82.3 cm, Art Institute of Chicago, Chicago, United States of America

Claude Monet (1840–1926), Claude Monet: The Cliff Walk at Pourville, 1882, oil on canvas, 66.5 x 82.3 cm, Art Institute of Chicago, Chicago, United States of America

클로드 모네(Claude Monet, 1840–1926)의 1882년 작품 '푸르빌의 절벽 위의 산책(The Cliff Walk at Pourville)'입니다. 

모네는1882년 2월부터 4월까지 푸르빌(Pourville)에 머물렀는데 그 때 그린 그림입니다. 

두 여인이 절벽 위에서 바다를 내려다 보고 있는데, 두 여인은 훗날 모네의 두 번째 아내가 되는 알리스 오세데(Alice Hoschedé, 1844-1911)의 두 딸 마르트(Marthe)와 블랑쉬(Blanche)로 추정된다고 합니다.

하늘과 바다, 그리고 절벽 위의 풀들까지 모네 특유의 따뜻한 색체와 붓터치가 잘 나타난 그림입니다.

 

Vincent van Gogh (1853–1890), Tetards (Pollards) / Landscape with Willows and Sun Shining Through the Clouds, March 1884, Pen and brown ink, with touches of pen and black ink, graphite and graphite frottage, and traces of black chalk, on grayish-white paper laid down on cardboard, 33.7 x 43.8 cm, Art Institute of Chicago, Chicago, United States of America

Vincent van Gogh (1853–1890), Tetards (Pollards) / Landscape with Willows and Sun Shining Through the Clouds, March 1884, Pen and brown ink, with touches of pen and black ink, graphite and graphite frottage, and traces of black chalk, on grayish-white paper laid down on cardboard, 33.7 x 43.8 cm, Art Institute of Chicago, Chicago, United States of America

가지치기한 나무(Têtards; Pollards) 또는 버드나무와 구름 사이로 햇살이 비치는 풍경(Landscape with Willows and Sun Shining Through the Clouds)이라고 이름 붙여진 이 그림은 빈센트가 1884년 3월 뉘넨(Nuenen)에서 완성한 소묘(drawing) 작품입니다.

갈색 잉크의 펜(Pen and brown ink)으로 주로 그렸는데, 그 외에도 검은색 잉크의 펜(pen and black ink), 목탄(graphite), 목탄 프로타주(graphite frottage), 검은색 분필(black chalk) 등도 사용하였습니다.

 

William-Adolphe Bouguereau (1825~1905), Les deux baigneuses (The Two Bathers), 1884, oil on canvas, 201x129cm, Art Institute of Chicago, Chicago, Illinois

Georges Seurat (1859–1891), A Sunday on La Grande Jatte, 1884-1886, oil on canvas, 207.6 x 308.0 cm, Art Institute of Chicago

Georges Seurat (1859–1891), A Sunday on La Grande Jatte, 1884-1886, oil on canvas, 207.6 x 308.0 cm, Art Institute of Chicago

조르주 쇠라(Georges Seurat, 1859~1891), 그랑드 자트 섬의 일요일 오후(A Sunday on La Grande Jatte), 1884~1886, oil on canvas, 207.5x308.1cm, Art Institute of Chicago, Chicago, United States of America

Vincent van Gogh(1853-1890), Self-Portrait, 1887, oil on canvas, 41x32.5cm, Art Institute of Chicago, Chicago, United States of America

Edward Hopper(1882–1967), Nighthawks, 1942, oil on canvas, 84.1x152.4cm, Art Institute of Chicago, Chicago, United States of America



Art Institute of Chicago, USA
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Art Institute of Chicago, US-IL
https://nowgnoy.tistory.com/4708